Reluctant to admit failure, however, The Station by the Sea was revived when Ohtaki got to work on his 1972 solo album (a self-titled, but its working title was "Stagecoach", such a vivid and fitting title that that's what I think I'll call the record henceforth). He wrote new music, gave it a swamp rock arrangement, rehearsed it with his Happy End bandmates — and then, apparently still unsatisfied, left it behind once again, unfinished.
Takashi published the lyrics in his 1973 poetry/lyric/essay collection The Wind Quartets, alongside several other Happy End songs-that-never-, or almost-were.
And that was the end of that.
But then, last year, someone in the Happy End archival camp stumbled on a solo acoustic demo of the 1970 version of The Station by the Sea. According to a Daisy Holiday conversation between Haruomi Hosono and Shigeru Suzuki themselves, the plan is to release the demo on a new Happy End EP (!!!) that will also feature Downpour City and a couple other, yet-to-be-recorded 21st century Suzuki/Matsumoto and Hosono/Matsumoto songs.
A new Happy End EP...
of original songs...
with Matsumoto on drums...
Some things sound too good to be true, and this may yet prove to be so.
P.S. Most of what I know about The Station by the Sea's mysterious history stems from this incredible series of posts by the Internet's foremost Ohtaki scholar.
P.P.S. For hibachi (a kind of brazier), see wikipedia.
:::
It was late at night
when I reached the station.
The damp wind bit into my skin.
A naked light swayed
above the wooden platform.
An elderly attendant
warming himself by the hibachi
accepted my ticket
in his wrinkled hand.
I saw a worn-out man reflected
inside the sooty glass.
Memories of summer
brushed past my ears.
The town I walked through
was a familiar one.
I turned a corner
and all at once
was overcome
by the smell of the ocean.
Garbage was scattered across the beach.
It fluttered in the wind.
I lay down on sand so cold
I didn't think
I had any chance of falling asleep
before sunrise.
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